Department of
(210) 999-7549
Fax: (210) 999-8370
E-mail: mstroud@trinity.edu
Web: http://www.trinity.edu/mstroud/
EDUCATION
|
1977 |
Ph.D.,
University of Southern California Dissertation: “A Phenomenological Study of Anagnorisis in Selected Theatrical Works of Lope de Vega” Director: James A. Parr |
|
1974 |
A.M.,
University of Southern California |
|
1971 |
B.A.
with High Honors, |
EXPERIENCE
|
1977-present |
Department of Modern Languages and Literatures,
2002-2006 Director, Self-Instructional
Language Program |
PROFESSIONAL
ORGANIZATIONS
Modern
Language Association
Asociación Internacional de Hispanistas
American Association of Teachers of Spanish and Portuguese
Association for Hispanic Classical Theater
South Central Modern Language Association
Cervantes Society of
COURSES TAUGHT
Spanish Language: Spanish I, II, III, IV, Advanced Spanish Conversation, Advanced Spanish Conversation and Composition, Advanced Spanish Grammar, Advanced Spanish II, Advanced Translation, Spanish Play Production, Spanish for Medical Personnel, Spanish for Teachers
Spanish Literature: Introduction to Spanish Literature, Introduction to Spanish Literature before 1700, Introduction to Hispanic Literature, The Golden Age, Golden Age Literature, Golden Age Prose, Golden Age Poetry and Drama, Golden Age Drama, Don Quijote, The Don Juan Tradition, Seminar in Spanish Poetry, Senior Seminar, Spanish Literature in Translation
Spanish
Culture: Spanish Civilization, Spain and the Western Tradition
Directed Studies in Spanish: Internship, Medieval Spanish, Spanish Opera Production, Sor Juana Inés de la Cruz, Unamuno and the Generation of ’98, Creative Writing, Honors Readings, Honors Thesis, Graduate Teaching Practicum, Senior Experience
French: French I, II, Intensive French I, II
Latin: Latin I, II
First
Year Seminar: Freedom and Responsibility; AIDS; The Human Condition
Women’s and Gender Studies: Introduction to Queer Studies
HONORS
Awards and Distinctions
Dr.
and Mrs. Z. T. Scott Faculty Fellowship for Outstanding Teaching and Advising,
Honorary Fellow, Hispanic Society of America (2003-present)
Listing in Who’s Who in American Education, 3d. ed.
Listing in Who’s Who in the South and Southwest, 21st, 23d and 25th eds.
Computer
Science Creativity Award,
Distinguished Advising Award Nominee (2003, 2005)
Distinguished Scholarship Award Nominee (2008)
Memberships
Phi
Beta Kappa
Sigma Delta Pi
Pi Delta Phi
Phi Kappa Phi
Hispanic Society of
Association for Hispanic Classical Theater, Board of Directors (Life member)
LANGUAGES
English: native
Spanish: near-native fluency
French: very good
Latin: good
Italian, Portuguese, Dutch, German, and Greek: reading and research knowledge
PUBLICATIONS:
MONOGRAPHS
1.
Fatal
2.
The Play in the
Mirror: Lacanian Perspectives on Spanish Baroque Theater.
3.
Plot Twists and
Critical Turns: Queer Approaches to Early Modern Spanish Theater.
CRITICAL EDITION AND TRANSLATION
Celos aun del aire
matan. By Pedro
Calderón de la Barca. Edition, translation, text, and notes by Matthew
D. Stroud. Foreword by Jack Sage.
EDITIONS
1.
After Its Kind:
Approaches to the Comedia. By James A. Parr. Edited by Matthew D. Stroud,
Anne Pasero and Amy Williamsen. Introduction by Matthew D. Stroud.
2.
Looking at the
Comedia in the Year of the Quincentennial: Proceedings of the 1992 Symposium on
Golden Age Drama. Ed. Barbara Mujica and
ONLINE EDITIONS AND TRANSLATIONS
1.
La
traición en la amistad. By María de Zayas Sotomayor. Pedagogical edition under the direction of
Matthew D. Stroud.
2.
The Phantom Lady. By Pedro Calderón de la Barca. Translation by
Matthew D. Stroud.
3. The
Characters and Plots of Tirso’s Comedias. By Jean S. Chittenden.
Edited and adapted for the web by Matthew D. Stroud.
ARTICLES AND CHAPTERS
1. “Social-Comic Anagnorisis in La dama duende.” Bulletin of the Comediantes 29 (1977): 96-102.
2.
“La Numancia como auto
secular.” Cervantes, su obra y su mundo:
Actas del Congreso Internacional sobre Cervantes. Ed. Manuel Criado de Val. Madrid: EDI-6, 1981. 144-48.
3.
“Los comendadores de Córdoba:
realidad, manierismo y el barroco.” Lope
de Vega y los orígenes del teatro español. Actas del I Congreso Internacional sobre Lope de Vega. Ed. Manuel Criado de Val. Madrid: EDI-6, 1981. 425-29.
4.
“Stylistic Considerations of Calderón’s Opera Librettos.” Crítica Hispánica 4 (1982), 75-82.
5.
“Tirso’s Wife-Murder Play, La
vida y muerte de Herodes.” Proceedings
of the Third Annual Golden Age Spanish Drama Symposium. El Paso: U of
Texas, El Paso, 1983. 88-106.
6. “The
Resocialization of the Mujer Varonil
in Three Plays by Vélez de Guevara.” Antigüedad y actualidad de Luis
Vélez de Guevara: Estudios críticos. Ed. C. George Peale.
7. “The Comedia as Potboiler: Juan de Cabeza’s Matar por zelos su dama.” Hispania 64 (1984): 545-53.
8. “Some Practical Thoughts on Producing Calderón’s Court Plays.” Bulletin of the Comediantes 36 (l984): 33-41.
9.
“Love, Friendship, and Deceit in La
traición en la amistad by María de Zayas.” Neophilologus 69 (1985): 539-47. Reprinted in Literature Criticism, volume 102, ed. Tom Schoenberg. Detroit: Gale Research Co.
2004.
10. “La literatura y la mujer en el
barroco: Valor, agravio y mujer, de
Ana Caro.” Actas del VIII Congreso
Internacional de Hispanistas. Ed. A. David Kossoff, José Amor y Vázquez, Ruth
H. Kossoff, and Georffrey W. Ribbans. Vol. II.
11.
“Martyrs, Martyrdom, and the Comedia.” Proceedings of the Fifth Annual Golden Age Spanish Drama Symposium. El Paso: U of Texas, El Paso, 1986. 67-81.
12. “Further Considerations of History and Law in the Wife-Murder Comedias.” Hispanic Journal 8 (1987): 21-38.
13. “The Comedia as Playscript.” Approaches to Teaching Spanish Golden Age
Drama. Ed. Everett W. Hesse and
Catherine Larson.
14. “Symbols,
Referents, and Theatrical Semantics: The Use of Hands in the Comedia.” Texto y Espectáculo: Selected Proceedings of the Symposium on Spanish
Golden Age Theater. March 11, 12, 13, 1987. Ed. Barbara Mujica.
15.
“Clotaldo’s Daughter.” Texto y espectáculo: Nuevas dimensiones
críticas de la Comedia. Ed. Arturo Pérez-Pisonero. El Paso: U of Texas at
El Paso, 1991. 95-104.
16. “‘¿Y sois hombre o sois mujer?’:
Sex and Gender in Tirso’s Don Gil de las
calzas verdes.” The Perception of Women in the Spanish Theater of the Golden Age.
Ed. Anita K. Stoll and Dawn L. Smith.
17. “The Desiring Subject and the Promise of Salvation: A Lacanian Study of Sor Juana’s El divino Narciso.” Hispania 76 (1993): 204-12.
18. “Genre and
Lack in the Comedia.” Looking at the Comedia in the Year of the
Quincentennial: Proceedings of the 1992 Symposium on Golden Age Drama. Ed.
Barbara Mujica and Sharon Voros.
19. “The Electronic Comedia.” Bulletin of the Comediantes, 45 (1993): 145-48.
20. “Rivalry and Violence in El castigo sin venganza.” The Golden Age Comedia: Text, Theory, and
Performance. Ed. Charles Ganelin and Howard Mancing.
21. “The Demand
for Love and the Mediation of Desire in La traición en la amistad.” María de Zayas: Dynamics of Discourse.
Ed. Judith Whitenack and Amy Williamsen.
22. “Sainthood
and Psychoanalysis.” Tirso de Molina: His
Theatre Then and Now, ed. Henry
W. Sullivan and José Ruano de la Haza.
23. “The
Lessons of Calderón’s La cisma de
Inglaterra.” Hispanic Essays in Honor
of Frank P. Casa, ed. A. Robert Lauer and Henry W. Sullivan.
24.
“The Comedia in
25. “Pedro Calderón de la Barca.” Spanish Dramatists of the Golden Age: A
Bio-Bibliographical Sourcebook. Ed. Mary Parker.
26. “Performativity and Sexual Identity in Calderón’s Las manos blancas no ofenden.” Gender, Identity, and Representation in Spain’s Golden Age. Ed. Anita K. Stoll and Dawn L. Smith. Lewisburg: Bucknell UP, 2000. 109-23.
27.
“Comedy, Foppery, Camp: Moreto’s El lindo don Diego.” Lesbianism and
Homosexuality in Early Modern
28. “Homo/Hetero/Social/Sexual: Gila in Vélez’s La serrana de la Vera.” “Con triste canto”: Golden Age Studies in Memory of Daniel L. Heiple. Ed. Julián Olivares. Special issue of Calíope 6.1-2 (2000 [actually published in 2001]): 53-69.
29. “Baroque Artistry and Artistic
Distance in María de Zayas’s ‘La inocencia castigada.’” Zayas and Her
Sisters, 2: Essays on Novelas by 17th-Century Spanish Women.
Ed. Gwyn
30.
“Uxoricidas.” Diccionario de la
comedia del Siglo de Oro. Ed. Frank Casa, Luciano García Lorenzo and Germán
Vega García-Luengos. Madrid: Castalia, 2002. 313-14.
31. “Authenticity, Authoriality, and the Nature of Electronic Texts: Don Quijote in the Age of Digital Reproduction.” Neophilologus 87 (2003): 563-73.
32.
“The Director’s Cut: Baroque Aesthetics and
Modern Stagings of the Comedia.” Comedia Performance. 1 (2004): 77-94.
33. “Gender and the Gaze: Sor Juana, Lacan, and Spanish
Baroque Poetry.” Calíope, Journal of
the Society for Renaissance and Baroque Poetry of
34. “Infallible
Texts and Righteous Interpretations: Don
Quijote and Religious Fundamentalism.” Cervantes
y su mundo, III. Ed.
35.
“The Closest
36.
“Another Look at Calderón’s El príncipe constante as Tragedy.” Critical
Reflections: Essays on Golden Age Spanish Literature in Honor of James A. Parr. Ed. Amy Williamsen
and Barbara Simerka. Asst. Ed. Shannon Polchow. Lewisburg:
Bucknell UP, 2006. 17-30.
37. “Defining the Comedia: On Generalizations Once Widely Accepted That Are No Longer Accepted So Widely.” Bulletin of the Comediantes 58.2: (2006 [published in 2007]): 285-305.
38. “Los
celos hasta los cielos y desdichada Estefanía: Honor, amor, ideal y falla
en la obra de Luis
Vélez de Guevara.” Introduction to Los
celos hasta los celos y desdichada Estefanía. By Luis Vélez de
Guevara. Teatro completo. Ed. William
R. Manson and C. George Peale.
39. “The Play of Means and Ends: Justice in Lope’s Fuenteovejuna.” Neophilologus 92.2 (2008): 247-62.
Forthcoming:
Accepted for publication
40. “Artistic Distance and the Comedia: Lessons from Don Quijote.” Accepted for publication in an homage volume for Robert Fiore, edited by Malcolm Compitello, Richard Kinkade and Amy Williamsen, published by Juan de la Cuesta Press (Newark, Delaware).
41. “Supersession, the Comedia nueva, and Tirso’s La mejor espigadera.” Accepted for publication in Bulletin of the Comediantes.
Forthcoming: Submitted
42. “Multiple Subjects and Missing Objects: Lacanian Psychoanalysis as Pedagogical Approach to Don Quixote.” Submitted for publication in the second edition of Approaches to Teaching Don Quixote. Ed. James A. Parr and Lisa Vollendorf. New York: Modern Language Association.
REVIEWS
1. Avalle-Arce, Juan Bautista. Dintorno de una época dorada. Madrid: Porrúa-Turanzas, 1978. Reviewed in Modern Language Journal 64 (1980), 268-69.
2.
Ruano, J. M., and J. E. Varey, ed. Peribáñez y el
Comendador de Ocaña. By Lope de Vega.
3.
Muir, Kenneth, ed. and trans. Four Comedies by
Pedro Calderón de la Barca.
4.
Fitz, Earl, and Marianne Mantell. The Colonial Period. Sor Juana and Baroque Poetry. Comedy and Satire. Filmstrips and
cassettes.
5. Hall,
J. B. Fuenteovejuna.
6. McCrary, Susan Niehoff. El último godo and the Dynamics of Urdrama. Reviewed in South Central Review 5, No. 2 (1988): 124-25.
7.
McGaha,
Michael, trans. The Devil’s Slave.
By Antonio Mira de
Amescua.
8.
Greer, Margaret Rich. The Play of Power. Princeton:
9.
Calderón
de la Barca, Pedro. The Painter of
His Dishonour. Edition and translation by A. K. G. Paterson.
10. Stoll, Anita K., ed. Vidas paralelas: El teatro español y el
teatro isabelino: 1580-1680.
11. Texto e imagen en Calderón. Undécimo Coloquio Anglogermano sobre Calderón. St. Andrews, Escocia, 17-20 de julio de 1996. Ed. Manfred Tietz. Archivum Calderonianum, Tomo 8. Stuttgart: Franz Steiner Verlag, 1998. Reviewed in the Bulletin of the Comediantes 54 (2002): 218-21.
12. Finn, Thomas P. Molière’s Spanish Connection: Seventeenth-Century Spanish Theatrical Influence on Imaginary Identity in Molière. Currents in Comparative Romance Languages and Literatures, vol. 81. New York: Peter Lang, 2001. Reviewed in the Bulletin of Spanish Studies (Glasgow) 80.6 (2003): 759-60.
13. O’Connor, Thomas A. El amor más desgraciado, Céfalo y Pocris. By Agustín de Salazar y Torres. Kassel: Edition Reichenberger, 2003. Reviewed in Bulletin of Spanish Studies (Glasgow) 82 (2005): 270-71.
14. Donnell,
Sidney. Feminizing the Enemy: Imperial
PAPERS
1.
“Tragedy, Comedy, and the Quality of Perception.”
2.
“The Punishment of Infidelity in Lope de Vega:
Vengeance versus Discretion.” Division 71 of the Modern Language Association
Convention.
3.
“La Numancia
4.
“Woman as Victim: The Murder of Innocent Wives.”
American Association of Teacher of Spanish and Portuguese Convention.
5.
“Poetry and Drama: Lope’s Duquesa de Amalfi.” Division 71 of the Modern Language Association
convention.
6.
“Celos aun
7.
“Los comendadores de Córdoba: realidad,
manierismo y el barroco.” I Congreso Internacional sobre Lope de Vega.
8.
“The Failure of the Individual and the Collapse of
Order in La cisma de Ingalaterra.”
9.
“Producing Spanish Golden Age Drama.” Special Session
of the annual Modern Language Association Convention,
10. “Music
and the Comedia.” Special Session of
the Modern Language Association convention. Los Angeles, 1982.
11. “Tirso’s Wife-Murder Play, La vida y muerte de Herodes.” Third
Annual Golden Age Spanish Drama Symposium. El Paso, March 1983.
12. “El ‘feminismo’ de Ana Caro: Valor, agravio y mujer.” VIII
International Congress of Hispanists.
13. “The
Origins of Uxoricide in the Comedia.”
South Central Modern Language Association Convention.
14. “Rivalry,
Violence, and the Double Bind: Lope de Vega’s El castigo sin venganza.”
Symposium in Honor of
15. “Martyrs,
Martydom, and the Comedia.” Fifth
Annual Golden Age Drama Symposium. El Paso, Texas, March 1985.
16. “Personal
Responsibility, Fortune, and Calderón’s Dramas
de honor.” Sixth Annual Golden
Age Spanish Drama Symposium. El Paso, Texas, March 1986.
17. “Los celos y la epistemología
neo-estoica en los drama de honor.” Annual Convention of the American
Association of Teachers of Spanish and Portuguese.
18. “Symbols,
Referents, and Theatrical Semantics: The Use of Hands in the Comedia.” Seventh Annual Golden Age
Spanish Drama Symposium. El
Paso, Texas, March 1987.
19. “The Comedia as (Inter)text: Moreto’s La fuerza de la ley.” Modern Language Association
convention,
20. “The
Civilizing Metaphor of Life is a Dream.”
21. “Grotowski
and the Challenge to Comedia
Criticism.” Eighth Annual Golden Age Drama Symposium. El Paso, Texas, March 1988.
22. “Artaud
and the Question of the Comedia
Text.” Special Session of the Modern Language Association convention,
23. “Clotaldo’s
Daughter.” Ninth Annual Golden Age Drama Symposium. El Paso, Texas, March 1989.
24. “‘¿Y sois hombre o sois mujer?’:
Sex and Gender in Tirso’s Don Gil de las
calzas verdes.”
25. “Truth and Desire in La vida es sueño.” American
Association of Teachers of Spanish and Portuguese convention.
26. “Hysteria,
Sainthood, and Sexuality: Tirso’s Santa
Juana.” Tirso de Molina: His Originality Then and Now.
27. “Rosaura’s
Search for Her Father in Calderón’s Life
Is a Dream.” Conference on Lacan, Culture, and Sexuality.
28. “Narcissism,
Otherness, Desire, Divinity: Sor Juana’s El
divino Narciso.” Eleventh Golden Age Drama Symposium. El Paso, Texas, March 1991.
29. “Genre
and Lack in the Comedia.” Twelfth
Golden Age Drama Symposium. El
Paso, Texas, March 1992.
30. “Women
Writers of the Spanish Comedia: A la recherche de ‘l'écriture féminine.’”
31. “Honor,
Otherness, and Ethics in the Comedia.”
Modern Language Association convention.
32. “Sit comoedia speculum vitae: Perception
and Comedia Criticism.” Fourteenth
Golden Age Drama Symposium. El
Paso, Texas, March 1994.
33. “Formats,
Platforms, and Distribution Systems: Accessing the Comedia by Computer.” Fourteenth Golden Age Drama Symposium. El Paso, Texas, March 1994.
34. “
35. “The
Fictions of Sex and Gender in Calderón’s Las
manos blancas no ofenden.” Modern Language Association Convention.
36. “The
Director’s Cut: Baroque Aesthetics and Modern Stagings of the Comedia.” Association for Hispanic
Classical Theater Golden Age Theater Symposium. El Paso, March 1996.
37. “Sexuality
and Otherness: Women as Monsters.” Modern Language Association Convention.
38. “The
Spanish Comedia in
39. “Los pastores and Popular Culture: Which
People? Whose Culture?” Popular Culture Association convention. San Antonio, March 1997.
40. “La
41. “Camp,
Comedy, and the Comedia.” Association
for Hispanic Classical Theater Golden Age Theater Symposium. El Paso, March 1999.
42. “Homosociality,
Heterosexuality, and the Mujer Esquiva in the Comedia.” Association
for Hispanic Classical Theater Golden Age Theater Symposium. El Paso. March 2000.
43. “The
Obstacles to Love: Gender, Sex, and Society in Calderón’s Comedias.”
Featured presentation at a conference on Calderón at the
44. “¿Pedir
peras al olmo?: Approaching the Comedia from a Queer Perspective.” South
Central Modern Languages Association. San Antonio, November 2000.
45. “Convention
and Subversion in the Comedia: Another Look at Marriage in the Final
Scene.” Golden Age Theater Symposium. El Paso. March 2001.
46. “Don Quijote in the Age of Digital
Reproduction.”
47. “Another
Look at Men in the Comedia: Masculinity, Honor, and the Masculine Fear
of Penetration.” Association for Hispanic Classical Theater Golden Age Theater
Symposium. El Paso. March
2002.
48. “Gender,
Genre, Sex, and Class in Seventeenth-Century Spanish Theater.” Association for
Hispanic Classical Theater Golden Age Theater Symposium.
49. “Christianity
and Islam in Cervantes’s Algerian Plays: Religion, Sex, Identity and the Body.”
Modern Language Association convention.
50. “Rendering
Comedias as Zeros and Ones: The
Challenges and Benefits of Electronic Texts.” Association for Hispanic
Classical Theater Golden Age Theater Symposium.
51. “El comercio rosa: Images of Gays in Advertising
in
52. “Aspects of Theatricality in Don Quijote.” Commemorative conference
on Cervantes’s Don Quixote.
53. “Text,
History, Theory, Interpretation, Performance: On the Nature of Comedia Criticism.” Association for Hispanic
Classical Theater Golden Age Theater Symposium.
54. “Martyrdom and Pornography.” Association for
Hispanic Classical Theater Symposium.
55. “Theology and Allegory of Supersession in Lope’s La hermosa Ester.” Plenary President’s Session presentation. Annual conference of the Association for Hispanic Classical Theater. El Paso. March 2008.
56. “Crossing Borders: Oceans, Continents, Genders, Genres, and Cultures.” South Central Modern Language Association Convention, San Antonio. November, 2008.
Upcoming
57. “Israel in the Theater of Imperial Spain: Supersession and Mira de Amescua’s El clavo de Jael.” To be presented at the First International Conference on Literature, Culture and Religion in the Hispanic World. San Antonio. February 2009.
OTHER PROFESSIONAL ACTIVITIES
“Spanish Golden Age Wife-Murder
Plays.” Organizer and moderator of a Special Session of the Modern Language
Association convention.
Celos aun del aire
matan (1660).
By Pedro Calderón de la Barca and Juan Hidalgo. February 12, 13, 14, 19,
20, 21, and
“Calderón and the Vehicles of
Communication.” Translation, presentation of a paper by José Ruibal at a
symposium, "El Mundo de Calderón,” sponsored by the
“Calderón de la Barca at the Tercentenary:
Comparative Views.” Session panelist.
“Women Writers and Spanish Mysticism.” Discussion leader and organizer of a Special Session of the Modern Language Association convention. December 1982.
“Neo-Stoic Epistemology and the Comedia.” Presentation at a
“Receiving, Writing, and
Rewriting: The Comedia and Its
Audience.” Moderator of a Special Session of the Modern Language Association
convention.
“Literary Translation and the
Theater.” Organizer and moderator of a symposium at
“Theater Performance Theory and
the Comedia.” Organizer and
discussion leader of a Special Session of the Modern Language Association
convention.
Founder and director, Trinity Lacan Study Group, 1988-93.
The First Lacan Seminar in
English. Participant.
“Lacan and Psychoanalysis:
Language, Desire, Sexuality.” Organizer and moderator of a symposium at
“The Seventeenth Annual
International Siglo de Oro Theater Festival, Chamizal National Memorial,
The Electronic Comedia Project: Organizer of a
colloquium held at
Member, doctoral dissertation
committee, Spanish literature. Kathleen Regan.
Participation in the Second
International Conference on Study Abroad. Presentation at a session on
preparing students to study abroad. Institute for European Studies/Institute
for Asian Studies.
Participant at the conference,
“Ingenious Methodologies Through Technology.”
“Dutch Translations of Spanish
Plays, 1609-1621.” Presentation at a
Discussant, Theater Workshop,
Golden Age Drama Symposium,
Session Chair, “Teaching the Comedia in the Twenty-First Century,” a
session of the seventeenth-century Spanish drama division of the Modern Language
Association.
Organizer, moderator, and
presenter, “The Trinity University Virtual Foreign Language Laboratory.”
Consortium of Liberal Arts Colleges Conference. San Antonio, June 1998.
Creation of a website devoted to teaching Spanish using computer technology (in conjunction with the ACS grant listed below, 1998): http://www.trinity.edu/mstroud/technology/index.html
Organizer and moderator of a
special session devoted to uses of computer technology in teaching and studying
the Spanish Golden Age comedia, to
take place at the Golden Age Drama Symposium,
Creation of online editions of medieval, Renaissance, and Baroque texts for Introduction to Spanish Literature (see below under website construction), 1999.
Organizer and moderator of a
special session on queer studies and the comedia.
Translator of Calderón’s La dama duende, and consultant for the performance of the play by the Trinity University Department of Speech and Drama. October 2000.
Guest lecturer in Drama 1304, Introduction to Theater, and in Drama 1100, Trinity University Players, on Calderón de la Barca and The Phantom Lady. September 2000
Organizer of three sessions
sponsored by the Division on Sixteenth and Seventeenth Century Spanish Drama of
the Modern Language Association, and moderator of the session, “Queer
Approaches to the Spanish Comedia.”
Session chair: “Pedagogy,” a
session of the Division on Sixteenth and Seventeenth Century Spanish Drama of
the Modern Language Association.
Consultant for and participant
in an undergraduate project to produce a video on the Chamizal Siglo de Oro
Festival,
Reformatting of over 2500 files located in the website of the Association for Hispanic Classical Theater, Inc. 2002.
Consultant and on-screen
participant in a student senior project at the
Consultant for Southern Living magazine, for an article on the Chamizal Golden Age Spanish Theater festival and symposium, 2002.
Organizer of a Trinity queer studies symposium and author of the first draft of a grant proposal, 2002-2003.
Organizer and moderator of a special session,
“Crossing Borders, Crossing Boundaries: The Literature and Film of Spain,” at
the annual meeting of the South Central Modern Language Association, 2008.
WEBSITE CREATION AND MAINTENANCE
Personal,
professional site
http://www.trinity.edu/mstroud/index.html
(1996-present)
Trinity
University Program in Spanish
http://www.trinity.edu/mstroud/spanish/index.html (1997-present)
Trinity
University Self-Instructional Language Program (2002-2006)
http://www.trinity.edu/mstroud/silp
http://www.trinity.edu/mstroud/arabic
Association
for Hispanic Classical Theater
http://www.
The
Characters and Plots of Tirso de Molina
http://www.trinity.edu/mstroud/tirso/index.html (2002)
Trinity
University Department of Modern Languages and Literatures (1996-2001)
http://www.trinity.edu/departments/modern_languages/index.html
GRANTS
Trinity
University
Faculty Research and Development Commission travel grant, 1978
Faculty Development Commission Summer Stipend, 1980, 1984, 1989, 1994, 1999, 2004, 2009 (approved)
Faculty Development Commission Academic Leave, 1988, 1993, 1998, 2003, 2008
Faculty Summer Seminar, 1992
Dr. and Mrs. Z. T. Scott Faculty Fellowship Grant, 1999
Course development grant, Seminar in Queer Studies, 2003
Planning Seminar: Difficult Dialogues: Compulsory Heterosexuality, 2006
Associated
Colleges of the South
Grant for participation in a colloquium on using computer technology in the
classroom, 1997
Grant to study technology applications in foreign language education, 1998
Culpeper
Foundation
Co-Director of a departmental technology project involving four workshops and
additional individual assistance to faculty in the Department of Modern
Languages and Literatures, 1997-99
For participation in the Second Conference on Study Abroad, 1995
Program
for Cooperation Between Spain’s Ministry of Culture and
To organize a colloquium on the Electronic Comedia, 1993
Ewing
Halsell Foundation,
For production of Spanish opera, Celos aun
Grant for participation in a symposium on second language acquisition, 1976
Del
Amo Foundation,
For study in
SERVICE
To the department:
Academic advisor to majors, 1978-present
Director of Self-Instructional Language Programs, 1984-87, 2002-2006
Departmental representative to meet with international program advisors, 2006
Section leader for Spanish, 2003-2005
Producer/director, “Escenas de la
Liaison with Study Abroad for students of Spanish, 2001-2002
Departmental Liaison to Spanish Language/Hispanic Language residence floor,
2001-2002
Author of proposal to reinstate a Self-Instructional Language Program at
Trinity, 2001
Creation and maintenance of departmental web page, 1996-2001
Convention interviewer for new faculty, 1989, 1990, 1991, 1994, 1997, 1998,
2000, 2003
Director of search for new faculty, 1984-85, 1986, 1986-87
Departmental Instructional Technology Committee, Chair, 2000
Co-Director of departmental technology project, 1997-99
Director of technology workshop and creation of workshop materials, 1997-99
Creator of pilot multimedia Spanish course, 1996
Member, Department Visiting Lecturers Committee, 1992-94
Ad Hoc Committee on Academic Leaves, 1994
Sigma Delta Pi Faculty Advisor, 1977-84
Speaker, Department of Foreign Languages Faculty Seminar, 1984
Spanish Book Acquisition Committee, 1982-83
Founder and editor of Francophile, a
French language newspaper for students, 1981-83
Liaison to Trinco Computing Center, 1977-82
Innovator of Introduction to Spanish Literature, and creator of student guide,
1981, 1982
Organizer of several Student Sandwich Seminars, 1981-82
Department Faculty Secretary, 1980-81
Producer of instructional material for Spanish IV as part of the Calderón
tercentenary, 1981
Creator of 22 computer-assisted instruction programs in French, Spanish, and
Latin, 1977-78
To the university:
Commission on Promotion and Tenure, 2006-present
Trinity University Press Editorial Board, 2008-present
Open Access Directive Working Group, 2008-present
Arabic Language Forum, Member, 2006-present
Phi Beta
Kappa, Epsilon of Texas Chapter:
Member, 1977-present; President 1983-85, 1988-89; Acting President, 2008; Vice-President
1979-81; Secretary-Treasurer 1981-83, 2002-2004; Chapter delegate to Triennial
Councils 1979, 1982, 1985, 1988
Academic advisor to first and second-year students, 1978-present
Participation in Admissions recruitment events, 1984-present
MAS Initiative: Co-convenor, capital campaign focus on re-envisioning trinity: Mexico, the Americas, and Spain, 2004-2008; presentations: Board of Visitors, 2007; National Alumni Board, 2007
Committee on Traffic and Parking, 2005-2008
The Rhea Fern Malsbury / Helen Heare McKinley Employee Awards Selection Committee, 2004-2007
“Difficult Dialogues” Initiative, Planning Seminar Participant, 2006
Trinity Day Without Art/World AIDS Day Committee, 2006
New Student Orientation, Diversity Session, Discussion leader, 2006
Voluntary
Employee Beneficiary Association (health plan):
Committee member, 1995-2006; Translator of employee benefits information to
Spanish, 1996; Editor of To Your Health!, the VEBA newsletter, 1995-2003
Graduation speaker, Winter Commencement, 2004
American
Association of University Professors:
Member, 1977-2004; President 1986-87, 1994-95, 2003-2004; Vice-President
1984-85; Secretary-Treasurer 1983-84; Newsletter Editor, 1993-1995
Dr. and Mrs. Z. T. Scott Faculty Fellowship selection committee, 2000-2003
Creation of a new course, “Introduction to Queer Studies,” for the Women’s and Gender Studies Program, 2003
University
Curriculum Council Commission on Curricular Review, 2000-2001
Subcommittee on Commonalities, 2001
Consultant, Speech and Drama Department production of The House of Bernarda Alba, by Federico García Lorca, 2001
Ad Hoc Task Force on Room Utilization, 1999-2000
Task Force on Skills (sponsored by the University Curriculum Council), Chair, 1999-2000
Faculty
Senate:
Member, 1993-95, 1996-98; Budget Committee, 1993-95, 1996-98; Ad Hoc Committee
on Academic Leaves, 1994; Faculty Senate Liaison to the Association of Student
Representatives, 1994
Assistance in creating the Campus AIDS Network, 1997
Participation in the First Year Seminar Program, 1986-87, 1987, 1996
Employee Benefits Committee, 1991-1996
Department of Classical Studies, Tenure and Promotion Review Committee Member, 1992
Wellness Program Newsletter, Assistant Editor, 1992
Faculty Advisor to the Student Association, 1990-1991
Academic Integrity Committee, 1987-91
Guest lecturer, Department of Education, 1990, 1991
Committee on Standards, 1987-90
Department of Engineering Science review committee 1989-90
University
Curriculum Council, 1984-87
Courses and Requirements Committee, 1984-87 (Chair 86-87); General Education
Committee Task Force on Mathematics
Academic Standing Committee, 1981-87
Trinity
University Press Board of Editors, 1979-87
Secretary, 1982-85; Internal manuscripts reviewer, 1982-87; Review Committee,
1981-82
Self study committee on other educational activities, 1986
Computer Activities Committee, Secretary, 1983-84
Honors Program Committee, 1981-83
Faculty
Club:
Executive Committee Member, 1980-83; Vice-Chair, 1981-82; Chair, 1982-83
Department representative on 1983 Dean’s Review Committee
Ad Hoc Microprocessor Committee, 1982
Area Courses Committee, General Education Committee, 1979-81
Graduate committees for the degree of M.F.A. to evaluate language proficiency, 1979, 1981
General coordinator of International Days, 1978-80
Ad Hoc Computer Committee, 1978
Ad Hoc Senate Committee on Constitutional Revision, 1978
New faculty orientation panel member, 1978
To
the profession:
Editorial Advisory Board, Bulletin of the Comediantes, 1998-present
Association for Hispanic Classical Theater,
Inc.:
Board of Directors, 1984–present (life member); Convention Program Review
Committee, 2008; Treasurer, 1984–1990; Webmaster, 2002-2006; Electronic Media
Committee, 1993–present; Bylaws Revision Committee, 2001; Banquet master of
ceremonies, 1997, 1998, 2001; Camera operator, 1986–1988
Outside evaluator for tenure and promotion of faculty at other universities, 1986, 1990, 1995, 1996, 1999, 2000, 2001, 2003, 2006
Reviewer of articles for publication, Gestos, 2006; Revista Canadiense de Estudios Hispánicos, 2001, 2005; Bulletin of Spanish Studies (Edinburgh, Scotland), 2008
Phi Beta Kappa Society, South Central District Nominating Committee, 2000, 2005
National Association of Self-Instructional
Language Programs:
Member, Board of Directors, 2002-2004
Specialist reviewer of manuscripts and proposals for publication: McGraw-Hill Publishing Co., 2001; University of Toronto Press, 2002, 2004; Bucknell University Press, 2003; Yale University Press, 2003
Modern Language Association:
Executive Committee, Division on 16th and 17th-Century Spanish Theater, Modern
Language Association, 1997–2001; Secretary, 1999; Chair, 2000; organizer of the
Comediantes banquet as part of the annual Modern Language Association
convention.
Member, International Advisory Committee, Electronic Comedia Project, Princeton University, 1994–97
Educational Testing Service
Grader of Advanced Placement Exams for the Education Testing Service,
Princeton, 1980, 1981, 1982, 1986, 1990, 1993
Judge, Sixteenth Siglo de Oro Drama Festival, Chamizal National
Memorial, El Paso, 1992
Reviewer of articles for publication in Hispania and the Bulletin of the Comediantes, 1987–1992
Editorial Advisory Board for the publication of selected papers from the El Paso Spanish Golden Age Drama Symposia, 1987–1989
Reader of exams for the Junior Classical League contest, 1984, 1985
Host, Sigma Delta Pi Spanish Breakfast, South Central MLA convention, 1982
Guest of Honor and official representative of
Sigma Delta Pi at the installation of a new chapter of Sigma Delta Mu at St.
Philip’s College,
Judge, Fifth Annual Hispanic Poetry and Prose Recitation Contest, 1978
To the community:
Elder-elect, 2008
Stewardship Committee, Member, 2008-present
Anniversary Committee, Member, 2005-2007
City of Castle Hills
Board of Adjustment, Member, 2003-2004
Drainage Committee, Member, 2003
Zoning Review Committee, Member, 2003
Campaign coordinator, 3 races for Mayor and City Council, 2003; City Council race, 2004
Castle Hills Homeowners Association
Member, 2001-2005
Member, Nominating Committee, 2002
Volunteer: Halloween Carnival, 2001, 2002; Spring Picnic, 2002, 2003
Project Inform, San Francisco
HTML programming and Spanish translation for its international web-based AIDS
information site, 1998-2001
Sponsor, Alamo City Men’s Chorale, 1999
Faculty Liaison, Providence Home and Trinity Volunteer Action Council, 1997-1998
Faculty Liaison, Campus AIDS Network and Alamo Area Resource Center, 1997-1998
San Antonio Phi Beta Kappa Association:
Member, 1983-2006; Board of Directors, 1985–1997; President, 1987–88;
Vice-President, 1987; Secretary, 1989–1997; Delegate to Triennial Council,
1994, 1997
WEBB AIDS fundraiser, Sponsor, 1996
Guest lecturer, University Presbyterian Church, 1993
San Antonio Free Clinic (Community Clinic):
Member, Board of Directors, 1983–85; Telephone counseling, 4 hours per week,
1981-83; coordinator, 1983
University of
Instructor of “Spanish for Physical Therapists,” including creation of
instructional materials, 1981–85
Festival Calderón, Inc.:
President and Chairman of the Board, 1983–84; Humanities advisor and creator of
background instructional materials, 1981–84; Coordinating committee, Hispanic
drama festival, 1982–83
Brooks Air Force Base “Los Amigos” club, guest speaker, 1983
JM/Jeunesses Musicales of USA, Inc., Member of the Board of Directors, 1981
San Antonio Symphony Opera Guild, guest speaker for discussion of Don Giovanni, 1982
American Association of University Women,
Trinity University Continuing Education courses in French and Spanish, 1978-82