English 3303 - Poetry Writing

Dr. Richard Newhauser

Spring Semester, 1999; MWF 12:30-1:20 p.m.; NH Room 218

Office: Northrup Hall 132; Telephone: 736-7567;
Email: Rnewhaus@Trinity.edu; Homepage: http://www.trinity.edu/rnewhaus

Office Hours: MWF 10:30 a.m.-12:30 p.m., or by appointment

 

 

Texts:

  • Robert DiYanni and Kraft Rompf. The McGraw-Hill Book of Poetry. New York: McGraw-Hill, 1993.
  • X.J. Kennedy and Dana Gioia. An Introduction to Poetry. 9th ed. New York: HarperCollins, 1998.
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    Requirements:

    1 Regular attendance and preparation for class discussions are primary requirements for passing this course. Three unexcused absences will adversely affect the final grade for the course.

    2 The written work will consist of your poems, which you will hand in to me as ten out of the eleven assignments become due during the semester (you may skip one) and again as a whole at the end of the semester in a portfolio demonstrating your progress in writing new poetry or in revising the poems you have already shown me earlier in the semester. You should, of course, feel free to show me new poems or revisions of poems which are not parts of particular assignments at any time during the semester. Your grade in the course will reflect the progress which can be demonstrated by the final portfolio. In addition, you will hand in a short essay (2-3 pages) on the criticism or self-analysis of a poet as described below in 3c. This essay will be due on the day of your report.

    3 You will be responsible for three types of oral presentations, and your grade in the course will reflect your preparation for and precision in delivering these reports:

    a. Reading(s) of your poetry in which you describe the process of writing the two or three poems which you read in class and offer a self-critique of the poems and the techniques you have used in them. You will be responsible for seeing to it that copies of the poems which you will read to the class are made available to each member of the class at least one class meeting before the day of your reading. The English Department will make its xeroxing facilities available to you. Members of the class will be responsible for offering constructive criticism of the poetry read to them.

    b. A brief report (5-10 minutes) on one or two of your favorite poems in a book of poetry by one of your favorite poets in which you describe precisely what you find well-done in that person’s book of poetry and in the poem(s) you are reporting on, and how your own work has been influenced by that poet or poem(s). You should characterize the kind of poetry published in this book and the techniques of unity represented in this collection of poetry. You will be responsible for seeing to it that copies of the poems which you read to the class are made available to each member of the class at least one class meeting before the day of your report.

    c. A brief report (5-10 minutes) on the criticism or self-analysis of a poet different than the poet you reported on in part (b) above. You will focus here on the criticism or self-analysis itself, but also on how useful the criticism or self-analysis of the poet has proven to be to your understanding of the work of this poet. Did it change your appreciation of the poet? If so, how and why did it do so? Refer to the list of Poetry and Criticism handed out to you in class for some typical books which contain essays you may use for this report. You will prepare a 2-3 page essay of your report and hand it in to me on the date you give the report. You will be responsible for seeing to it that copies of the poems which you will refer to in the report are made available to each member of the class at least one class meeting before the day of your report.

    Syllabus
    Spring Semester, 1999

    1. (1/13) Introduction; What is Poetry? [reading assignment: Kennedy-Gioia 359-62]
    2. (1/15) What is Poetry?; in-class writing (assignment 1) [reading assignment: Kennedy-Gioia 1-14; McGraw-Hill 5-13; Plath, "Daddy" (McG 826); Roethke, "My Papa’s Waltz" (K-G 18); Lowell, "Skunk Hour" (McG 746)]
    3. (1/18) Types of Poetry; Tone [reading assignment: Kennedy-Gioia 30-37; McGraw-Hill 40-44; Crane, "War is Kind" (McG 41); Hardy, "The Ruined Maid" (McG 43); Dickinson, "Because I Could Not Stop for Death" (K-G 367)]
    4. (1/20) Irony; poetry reading: _______________________ [reading assignment: Kennedy-Gioia 23-30; McGraw-Hill 14-16; Frost, "Out, out" (McG 542); Levine, "Animals are Passing from Our Lives" (K-G 447); Browning, "My Last Duchess" (K-G 11)]
    5. (1/22) Persona; in-class writing (assignment 2); assignment 1 due; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 30, 91-98; McGraw-Hill 23-29; Williams, "This is Just to Say" (K-G 50); Pound, "In a Station of the Metro" (K-G 91); Buson, "The Piercing Chill I Feel" (K-G 91)]
    6. (1/25) Sensation; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 91-98; Bishop, "Filling Station" (K-G 387); Bishop, "First Death in Nova Scotia" (McG 26)]
    7. (1/27) Imagery; report on critique of poetry: _______________________ [reading assignment: McGraw-Hill 23-29; Thomas, "Fern Hill" (K-G 495)]
    8. (1/29) Imagery; in-class writing (assignment 3); assignment 2 due; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 117-23; Shakespeare, "That Time of Year" (McG 32)]
    9. (2/1) Metaphor/Simile; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: McGraw-Hill 29-33; Hongo, "Cadence of Silk" (K-G 431)]
    10. (2/3) Metaphor/Simile; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 252-66; McGraw-Hill 35-36; Frost, "The Road Not Taken" (K-G 260)]
    11. (2/5) Symbol; in-class writing (assignment 4); assignment 3 due; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 124-26; McGraw-Hill 34-35; Dickinson, "I Started Early" (K-G 366); Keats, "To Autumn" (K-G 443); Waller, "Go Lovely Rose" (K-G 500)]
    12. (2/8) Personification; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 181-89; Hall, "Names of Horses" (K-G 419); Stafford, "At the Klamath Berry Festival" (K-G 487); Thomas, "Fern Hill" (K-G 495)]
    13. (2/10) Pacing and Rhythm; report on a book of poetry: _______________________; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 189-201; Simpson, "The Heroes" (McG 53); Williams, "The Dance" (McG 587)]
    (2/12/99 – NO CLASS) assignment 4 due (in my mailbox inside the English Department)
    14. (2/15) Meter; in-class writing (assignment 5); report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 189-201; Yeats, "The Magi" (K-G 513)]
    15. (2/17) Meter; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: McGraw-Hill 52-56; from Pope, "Essay on Criticism" (McG 277)]
    16. (2/19) Meter; in-class writing (assignment 6); assignment 5 due; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 204-13; Thomas, "Do Not Go Gentle Into That Good Night" (McG 744)]
    17. (2/22) Closed forms; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: McGraw-Hill 56-60; Frost, "Birches" (K-G 414); Dante, Inferno, canto 3 (McG 1051)]
    18. (2/24) Closed forms; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 213-18; McGraw-Hill 58-60; Shakespeare, "That Time of Year" (K-G 479); Wordsworth, "Composed Upon Westminster Bridge" (K-G 507)]
    19. (2/26) Sonnet; in-class writing (assignment 7); assignment 6 due; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 242-46; McGraw-Hill 67-72; cummings, "Buffalo Bill’s Dead" (McG 676); Herbert, "The Altar" (McG 67); Hollander, "The Swan" (McG 71)]
    20. (3/1) Shaped verse; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: McGraw-Hill 56-60]
    21. (3/3) Open Form; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 229-41]
    22. (3/5) Open Form; in-class writing (assignment 8); assignment 7 due; report on a book of poetry: _______________________ [reading assignment: McGraw-Hill 73-91]
    (3/8/99 – 3/12/99 – SPRING BREAK, NO CLASS)
    23. (3/15) Poetry and the Visual Arts; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 234-36; Auden, "Musée des Beaux Arts" (McG 81)]
    24. (3/17) Poetry and the Visual Arts; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 137-54; McGraw-Hill 91-110]
    (3/19/99 – NO CLASS) assignment 8 due (in my mailbox inside the English Department)
    25. (3/22) Poetry and Song; in-class writing (assignment 9); report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 137-54; McGraw-Hill 91-110]
    26. (3/24) Poetry and Song; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 323-26; Hecht, "The Dover Bitch" (McG 767) and Arnold, "Dover Beach" (McG 458)]
    27. (3/26) Parody; in-class writing (assignment 10); assignment 9 due; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 172, 231-33; McGraw-Hill 113, 203, 204, 898]
    28. (3/29) Adoration; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 399; McGraw-Hill 376]
    29. (3/31) Love; poetry reading: _______________________; report on critique of poetry: _______________________ [reading assignment: Kennedy-Gioia 436-37; McGraw-Hill 236, 448, 508]
    (4/2/99 – PASSOVER/GOOD FRIDAY, NO CLASS)
    30. (4/5) War; poetry reading: _______________________ [reading assignment: Kennedy-Gioia 439; McGraw-Hill 236, 1114]
    31. (4/7) Death; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 269-75]
    32. (4/9) Myth; in-class writing (assignment 11); assignment 10 due; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 275-78]
    33. (4/12) Personal Myth; poetry reading: _______________________; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 278-88]
    34. (4/14) Myth and Popular Culture; poetry reading: _______________________; report on a book of poetry: _______________________ [reading assignment: Kennedy-Gioia 60-68; Cope, "Lonely Hearts" (K-G 67)]
    35. (4/16) Language; poetry reading: _______________________; assignment 11 due [reading assignment: Kennedy-Gioia 55-60; McGraw-Hill 17-23]
    36. (4/19) Language; report on a book of poetry: _______________________ [reading assignment: Billy Collins, "Dear Reader"; Philip Levine, "The Simple Truth"]
    37. (4/21) Accessibility as Aesthetic; FINAL PORTFOLIOS DUE; report on a book of poetry: _______________________;
    38. (4/23) evaluations

     

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