Description
This course examines artistic patronage at the papal, imperial, royal, and ducal courts of northern and central Europe in the fourteenth century. Often collectively labeled as "International Gothic," the sumptuous artworks commissioned by the courts range from paintings and sculpture to textiles, manuscripts, and goldsmiths' work. The course addresses various issues relating to these objects, including: taste, luxury, and display; the changing role of female patrons; technical innovation and expertise; and the hierarchies and interrelations of different media. One key theme is the emergence of individual artists' identities and so particular consideration is given to ambitious patrons' relationships with their most talented artists, including Simone Martini, Jean Pucelle, and the De Limbourg brothers (Offered every other year.) Prerequisite: Completion of one course in Art History, or sophomore standing, or consent of instructor.
Credits
4 credits
Level
Upper Division
Pathways:
Approaches to Creation and Analysis | The Humanities
The Capacities | Global Awareness
The Interdisciplinary Clusters | The Medieval and Renaissance World