2025-2026 Season Overview

Trinity Theatre’s 2025-26 main stage season brings you four contemporary works dramatizing urgent social issues across the globe and beneath it – the crisis of undocumented people in our communities; the rise of the Third Reich in 1930s Berlin; an avant-garde critique of life in modern China, and a meditation on our place in the natural world. The annual Open Mic Night showcases the talents of students from across campus, and our Student Lab Series offers performances completely produced by students throughout the school year. Trinity Theatre showcases its commitment to a holistic approach to theatre-making through works that challenge our students and entertain our audiences.

Audition Information   Facility Information

A theatrical performance of Shakespeare's Hamlet on stage, featuring actors in period military-style costumes with a regal set design, red and white flags, ornate thrones, and a dramatic backdrop. The scene shows characters engaged in dialogue at center stage, flanked by cast members on either side under grand arches and medieval-style decor.

"SANCTUARY CITY"

October 3 - 5 & 8 - 11, 2025  | Attic Theatre

Directed by Prof. Roberto Prestigiacomo

Sanctuary City by Martyna Majok is a raw and urgent story of two undocumented teenagers fighting for love, safety, and a future in a country that promises protection, but often fails to deliver it. Set in post-9/11 Newark, the play unfolds through nonlinear moments within a nondeterministic reality, capturing the disorientation and uncertainty of lives lived in the in-between spaces of contemporary society. In this production, shaped by the ProbabilisticStages approach, Sanctuary City becomes a live system of shifting meaning, where every gesture, pause, and presence creates new emotional realities in the moment of performance. The stage is stripped of superimposed meaning and becomes a charged field of possibility. Here, meaning is not prescripted; it emerges, collapses, and re-forms in real time—a theatre of discovery, not repetition.

Promotional graphic for the play Sanctuary City by Martyna Majok. The title appears in large bold letters against a background of rain-speckled glass with cracks spreading from the top, evoking themes of fragility and resilience.

"GRAFTING, ROOTING, GROWING"

2:00pm, October 25, 2025 | Attic Theatre

Written and performed by Leah Woehr ('20)

Trinity alum Leah Ai Ling Woehr (’20) will present a performance piece she developed during her graduate studies at the University of North Carolina at Chapel Hill. The piece, recently performed at the FLIPT Festival in Italy, is titled Grafting, Rooting, Growing. It is an autoethnographic solo performance that explores Chinese transnational adoption and Chinese-American identity. In this piece, Leah interweaves family stories, music, and personal reflection as she works through understanding how her daughterhood was performed into being and how this affects her sense of self. She then places her own narrative in conversation with other Chinese adoptees to demonstrate the communal relationship between their experiences and how this contributes to the larger Asian American diaspora. The 40-minute solo performance will be followed by a talkback.

Promotional graphic featuring overlapping tinted photographs of a baby and an adult smiling. Center text reads “GRAFTING ROOTING GROWING” with “Leah Woehr (’20)” below in white capital letters. The image has a purple-green color scheme and artistic collage style.

"CABARET"

November 7 - 9 & 12 - 15, 2025 | Stieren Theatre

Directed by Dr. Nathan Stith, music direction by Dr. James Worman

Willkommen! Originally produced on Broadway in 1966 and updated in a 1998 revival, Kander and Ebb’s Cabaret explores the dark and tumultuous lives of Berlin’s natives and expatriates as Germany slowly yields to the emerging Third Reich. The story follows two couples: Clifford Bradshaw, an American writer who falls for British cabaret performer Sally Bowles; and Fraulein Schneider, a boarding house proprietor, who begins a romance with Herr Schultz, a mild-mannered fruit seller who happens to be Jewish. Meanwhile, the Emcee at the hedonistic Kit Kat Klub invites the audience to forget their troubles because “life is a cabaret, old chum!”

Promotional graphic for the musical Cabaret. A black-and-white photo of a person’s face with bold lipstick is partially obscured by torn black paper across the center. The torn strip reveals the title “CABARET” in distressed red letters. Credits for music, lyrics, book, and source material appear on the sides in white text.

Trinity Theatre Open Mic Night

November 20, 2025  | Stieren Theater

Trinity Theatre Open Mic Night is an opportunity for any member of the Trinity community to share their talent on stage at the Stieren Theatre.  Sing a song, recite a poem, perform a monologue, do some stand-up comedy, anything goes!  More information about signing up for a time slot will be available on LeeRoy.  Any questions, contact Dr. Nathan Stith   

Promotional graphic for Trinity Theatre’s Open Mic Night. The image features bold cream-colored text on a deep red background reading "Open Mic Night" beside a vintage-style microphone illustration and the Trinity Theatre logo.

"THE BUS STOP"

February 20 - 22 & 25 - 28, 2026 | Stieren Theater

Directed by Dr. Chloë Edmonson

Set at a bus stop in a city suburb, The Bus Stop by Gao Xingjian centers on a group of people waiting for a bus that never arrives. Often hilarious and sometimes profound, the characters’ interactions and personal revelations also serve as critiques of societal stagnation and the human condition. The play's absurdist elements and its critical perspective on social issues led to its ban in mainland China shortly after its premiere in 1983. Often compared to Samuel Beckett’s Waiting for Godot, this thought-provoking work remains influential in the history of avant-garde theatre.

Poster for Trinity Theatre’s production “The Bus Stop” by Gao Xingjian, translated by Shiao-Ling Yu.

Trinity Theatre Spring Open Mic Night

8:00pm, March 5, 2026  | Stieren Theater

Trinity Theatre Open Mic Night is an opportunity for any member of the Trinity community to share their talent on stage at the Stieren Theater. Sing a song, recite a poem, perform a monologue, do some stand-up comedy, anything goes! More information about signing up for a time slot will be available on LeeRoy. Any questions, contact Faith Olabanji (@email).

Promotional graphic for Trinity Theatre’s Open Mic Night. The image features bold cream-colored text on a deep red background reading "Open Mic Night" beside a vintage-style microphone illustration and the Trinity Theatre logo.

"IS THIS A ROOM"

April 2 - 4, 2026 | Attic Theatre

Directed by Lyndee Pinkerton as part of the Student Lab Series

Is This a Room by Tina Satter follows Reality Winner, a former ██ Air Force Airman, as she is interrogated by the FBI in her home for leaking classified documents pertaining to Russian ██████ in the 2016 election. Prior to her arrest and during her trial, she was ██████ described as a terrorist. With permission from Half Straddle Productions, Reality Winner, and Spiegel and Grau, this production is adapted by Lyndee Pinkerton ██ include quotes from I am Not Your Enemy, a memoir by Reality Winner, released in September 2025. The original script is the exact FBI transcript of her arrest and her █████ interaction with federal agents in 2017. Come see Is This a Room as Reality reflects on her past while it unfolds before your eyes. Shows will be on Thursday, April 2nd at 7PM, Friday, April 3rd at 7PM, and Saturday, April 4th at 2PM in the Attic Theater █████. Directed by Lyndee Pinkerton ██—Starring Zoe Nolan, Maggie Goydan, Aaron Smith, Ben Pennebaker, and Jose-Felix Combs.

Graphic for Trinity Theatre’s Student Lab Series production Is This a Room by Tina Satter, featuring purple tones and a silhouetted figure against horizontal stripes.

"THE GREAT GOD PAN"

April 16 - 18, 2026 | Attic Theatre

Directed  by Kunsh Tyagi as part of the Student Lab Series

An alluring contemporary play about the unknown and fragmented nature of traumatic fugue, The Great God Pan runs April 16 & 17, 7:00pm, and April 18, 8:00pm in the Attic Theater. Written by Amy Herzog, the play follows Jamie, an investigative journalist, as he tries to reconcile his fragmented memory after learning of a possible childhood trauma he cannot remember.

Trinity Theatre presents The Great God Pan, a Student Lab Series production by Amy Herzog, April 16–18 at the Attic Theater.

"NOT EVERY MOUNTAIN"

April 23 - 26, 2026  | Stieren Theater

Created and presented by Stieren Guest Artists Rude Mechs as part of the Stieren Arts Enrichment Series

Not Every Mountain is a mellow meditation on change, permanence and our place in the natural world. It is a presentation of the life cycle of mountains and the processes by which they are born and eventually laid to rest, an invocation of tectonic force and geologic time. Using string, cardboard and magnets, Not Every Mountain invites us to watch the collective effort of making and unmaking a series of interlocking mountain ranges. We watch minutes, or perhaps centuries, unfold, as mountains rise and fall, clouds dance, birds alight and depart, and a moon delicately hangs overhead. Not Every Mountain features music and sound created using earth's most prominent natural frequency, The Schumann Resonance, and is underscored by a poetic recitation—or perhaps a spiritual incantation.
 
From the Rude Mechs website: "Rude Mechs is an ensemble-based theatre company that operates with a full company of 33 members. We create original plays that we produce in Austin, TX. We have received over 200 local and national awards and nominations for our work. We’ve enjoyed four Off-Broadway premieres and toured to top national venues such as The Walker Arts Center (Minneapolis, MN), The Wexner Center (Columbus, OH), and Woolly Mammoth (Washington D.C.). We seek to participate in the international community of artists by contributing to festivals such Austria’s SommerSzene, the Galway Arts Festival, the Edinburgh Fringe Festival (winner Total Theatre Award for Best New Play by an Ensemble), the Kiasma Festival, the Philadelphia Live Arts Festival, and the Under the Radar Festival in NYC." Use this link to read the company's full mission and history.
 

Reservations and More Info

Promotional graphic for “Not Every Mountain,” created and presented by Stieren Guest Artists Rude Mechs as part of the Stieren Arts Enrichment Series, featuring bold orange text over a geometric stage set.