• In his research, Professor Schreyach attempts to understand how the intended visual effects of paintings are conveyed technically, operate culturally, and can be situated historically--as well as how those pictorial effects might be interpreted philosophically. Other areas of expertise include the history of photography; the relationship of art and politics, 1930-1970; methods of art history; and phenomenology.

    Professor Schreyach's first book, Pollock's Modernism (Yale University Press, 2017), provides a new interpretation of the art of Jackson Pollock (1912–1956), one that is based on a phenomenological investigation of the pictorial effects of particular paintings. Focusing on major works that span the artist's career – including Mural (1943), Cathedral (1947), Number 1A, 1948, One: Number 31, 1950, and Portrait and a Dream (1953) – Professor Schreyach argues that Pollock's achievement is best understood by attending to how, technically and formally, he instituted certain modes of pictorial address and structures of beholding in his paintings. From this perspective, Pollock is shown to be an artist who transformed the means by which the phenomenological interdependence of sensation and cognition in our embodied experience could be represented. His second book, Newman's Totality, addresses the art of the American abstract painter Barnett Newman, and is under contract with the University of California Press.

    • Ph.D., University of California, Berkeley
    • M.A., University of Texas at Austin


    Articles and Essays

    Interviews and Lectures

    • Modernism in the Visual Arts 
    • History of Photography 
    • Nineteenth & Twentieth Century Art 
    • Contemporary Art Since 1945 
    • Theories and Practice of Art History 
    • Renaissance to Modern Art